The (Fountain) Hills

Fountain Hills

The Fountain Hillstory

Fountain Hills is a planned community northeast of Phoenix that was created in the late 1960s by the guy who designed Disneyland and the guy who developed the city of Lake Havasu.

When you decide to plop a town into the middle of the desert, what do you make its centerpiece? The World’s Tallest Fountain! Of course.

Although, if you think that’s absurd, remember that the developer’s other project at the time was a much more remote planned Arizona community with the actual historic London Bridge – transported across the Atlantic by boat and reassembled brick by brick – as its centerpiece. After that, a desert fountain kinda seems like child’s play.

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The Modern Landscape

The Fountain Hills fountain is no longer the world’s tallest, but it still shoots a stream of water into the air hourly that can go from 300 to 560 feet high, which is actually slightly taller than the Washington Monument. At its base is a concrete expressionist water lily sculpture.

The whole thing is situated in the middle of an artificial lake (called, unsurprisingly, Fountain Lake) with a sprawling park wrapping around it. (Guess what the park is called. Yep, Fountain Park. You win.) There are shaded picnic tables, public art, and a playground. Even though there always seem to be people around during the day, it’s big enough to feel a bit empty most of the time.

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Saguaro Lake on a Saturday Is No Picnic

The last time we were in Fountain Hills, we hadn’t planned on going there.

It was the weekend before Phillip started back to school. We decided it was a good day to throw a picnic lunch together and head east to Saguaro Lake. However, we didn’t make it past the ranger checking for passes at the entrance.

Not sure how both Phillip and I missed the memo that you need a Tonto Pass even if you’re not going boating or camping (details below, so you can be more prepared than we were). Since you can’t buy the pass on site, we started thinking about other options.

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Fountain Park-ing

Fountain Hills was only about 20 minutes away, and I knew that, unlike at the super crowded Saguaro Lake, there would be plenty of space and plenty of free parking. So instead of turning back the way we came, we took a right and rolled into Fountain Hills just before 2pm.

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We made a quick stop at a coffee shop overlooking Fountain Park. (Guess what the coffee shop was called. Fountain View? Nope. Mountain View.)

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From the back patio of Mountain View Coffee Co., we could see the fountain start up. There was a path directly into the park and an open picnic table near the colorful mural wall. We started in on our lunch and watched a stream of water surge towards the sky then collapse down into the lake with just a hint of a rainbow forming in its mist.

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– More info –

Tonto Pass

  • You need a permit to park in high-use recreation sites in the Tonto National Forest, such as Saguaro Lake.
  • For daily use, you can get a $6 Tonto Pass online or in certain stores outside the National Forest. (Full list PDF.) Watch for stores with the “Tonto Pass Sold Here” signs, while you’re on the way.
  • It’s not available at the actual recreation sites. You have to buy it ahead of time.
  • Even if there’s not a ranger at the entrance, you can still be fined for not having a Tonto Pass hanging from your rearview mirror.

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Fountain Hills

  • The fountain is on for the first 10-15 minutes of every hour 9am-10pm, unless there’s too much wind.
  • Docents lead free walking tours of area public art October through April. (Donations accepted.)
  • Follow the Fountain Hills Art Walk Map (PDF) to take a self-guided tour.

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In the Area

Fountain Hills mural

Thank you to Alison King, who schooled me on Midcentury Modernism in Phoenix and Concrete Expressionism. Her site is Modern Phoenix, and you should totally check it out.

10 hours to sleep, eat, and sightsee: Indianapolis 2nd lap

Lobby of Fairfield Inn

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The Marriott shuttle we had almost missed drove its very important flight crew passengers to the Courtyard Indianapolis Airport hotel and then took us down the street to the Fairfield Inn & Suites.

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The lobby had a trendy little sitting area off to one side and a front desk with a rad goldfish cracker dispenser. When we checked in, the night clerk told us they’d upgraded our room. Nice but unnecessary, since we really just needed to crash. I was too tired by that time to worry about the details, though.

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Our unnecessarily nice room had the same type of bold-patterned decor as the lobby. Beyond the coffee shelf, couch, and desk was what you’re really looking for after a long day of travel stuff: a comfortable bed.

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In the morning (the actual morning, not our 2am check-in time, which only counts as “morning” on a technicality), we got our receipt and realized they charged us extra for the unrequested upgrade. Phillip was able to get it all sorted out with the goldfish desk. So it wasn’t a big deal in an otherwise good stay. I only bring it up to say this is why I double check everything.

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Breakfast with Champions

Apparently, flight crews stay at the Courtyard; Little Leaguers stay at the Fairfield. Across the lobby from the goldfish desk was the breakfast buffet, and a few tables overflowing with 12-year-old boys in light blue baseball uniforms.

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A couple of them ended up joining our table. They were in town for a tournament. We asked one of the boys what his goal was for the game that day, while he picked at the waffle his mom had stopped by to cut for him. He matter-of-factly answered, “hit three home runs.” His friend said the same. Gotta love big dreamers.

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Squaring Up

While I finished getting ready, Phillip took the shuttle back to the airport to pick up our rental car. We managed to get loaded up and checked out with an hour or so to kill. Which is basically how we ended up in Fountain Square. It looked interesting, was on the way, and it happened to be the day of the annual Fountain Square Music Festival.

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Neighborhoods have their own circadian rhythms. This one felt like it was still yawning and stretching and blinking in the sunlight. With the exception of a couple restaurants, most of the square was closed when we were there. The historic theater stood quiet with a lone employee hosing off the front sidewalk. The festival hadn’t started yet, and a handful of people were hanging banners and setting up. The place would probably be hopping in a couple of hours.

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In the meantime, we had a pleasant walk among the historic buildings with vintagey signs and street art sprinkled in, listening to one of the bands warming up over the rhythmic splash of the fountain before getting back in the car and heading for Anderson.

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– More info –

Fountain Square:

Our Indiana (Heartlandiana) trip

A Mural for the Missing

Colibri mural by Mataruda

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A community art project that was too controversial for New York city has found a home in Phoenix’s Grand Avenue arts district.

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The mural was nearly finished when I stopped by last week. Half a dozen artists were there painting or standing back to Instagram the process – which, really, is also part of spreading a message. In fact, I only heard about the piece because one of the artists from the Frida Kahlo exhibit, Monique Mata, had shared it there.

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The Mission

The inspiration came from the film Who is Dayani Cristal?, a documentary that retraces the steps of the migrant trail in Central America in an effort to identify a body discovered in the Sonoran desert.

This work of helping families find the bodies of missing migrants is exactly what the nonprofit Colibrí Center for Human Rights in Tucson does, as well as providing counseling and advocacy services. Their Missing Migrant Project has the goal of “working to end migrant death and related suffering on the U.S.-Mexico border.”

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Mata Ruda, the New York/New Jersey artist who designed the mural, believes awareness and prevention are key to this. If migrants are invisible to society, their deaths will go unnoticed, the problem unsolved.

The mural is one way to tell their story, make them visible.

While taking a popsicle break, he filled me in on the history of the project – that it been approved then later blocked at 5 different sites from a musuem in New York City to a garage in downtown Phoenix, apparently due to its subject matter. Finally, the Colibrí Center connected them with the spot at La Melgrosa art space.

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The Mural

The mural is also called “Colibrí,” named for Colibrí Center and for the hummingbird, which migrates throughout the Americas. It was created to bring awareness of the often-overlooked migrant community.

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At least 7 artists collaborated on the piece, mostly from Arizona (with one traveling across the state from the Navajo reservation).

 

 

You can see the finished mural outside Creation Station at La Melgosa, 1023 W. Grand Avenue in Phoenix.

Mata Ruda’s hope is that Colibrí remains a permanent piece of public art and that it makes people aware of the migrants who often are invisible to society.

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Like the community it represents, the project has been on a long journey to finally be seen.

El Amor de Frida in a Phoenix Library

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The main branch of the Phoenix Library is holding, “El Amor de Frida,” a free art exhibition (through 7/26) in honor of Frida Kahlo’s birthday.

We went and checked it out yesterday.

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The works, created by members of the Phoenix Fridas collective and other local artists, are inspired by the life, beliefs, and words of Frida Kahlo. An oversized statue of the Mexican painter marks the front of the exhibit, which also features mixed media, sculptures of wire and glass, painted plates, jewelry, and a portrait made from seed beads.

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It’s another great example of art in libraries!

(If you can’t see the short video I posted of the glass elevator ride, check it out on my Instagram.)

 

Microblog Mondays: Write in your own space

Her secret is patience

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Floating above downtown Phoenix is a permanent public art sculpture inspired by monsoon clouds and hot Arizona summers. “Her Secret Is Patience” was created by artist Janet Echelman, specifically for the site it is now suspended above. At night it’s illuminated with the colors changing with the seasons.

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The name comes from Ralph Waldo Emerson. “Adopt the pace of nature; her secret is patience.”


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